I must confess that I am something of a political junkie and have spent a good bit of my adult life, soldiering away on one campaign or another. The nitty-gritty of political organizing fascinates me, and heaven knows there can be high drama as well as very high stakes in campaigns.

Another, far more disdainful, look at the political process is The Suffrage of Elvira by V.S. Naipaul. It takes place during one of the first post-colonial elections in Trinidad, and is marked by Naipaul's trademark deep skepticism about humanity.
All the King's Men by Robert Penn Warren depicts the rise and fall of a Southern politician very much like Louisana's Huey Long. It is, wrote Orville Prescott in The New York Times original review: "no book to curl up with in a hammock, but a book to read until 3 o'clock in the morning, a book to read on trains and subways, while waiting for street cars and appointments, while riding elevators or elephants." The book was published in 1946, and many of its social givens have changed (the place of African-Americans in society is just one) but the way its hero goes off track resonates today.
But where are the Canadian political novels? There are Heather Robertson's trilogy centered on William Lyon McKenzie King, Willie: A Romance, Lily: A Rhapsody in Red and Igor: A Novel of Intrigue, all published in the 1980s by Lorimer. The first volume, by the way, has Talbot Papineau as a character. He was a young, attractive lawyer who might have done great things, had he not been killed in World War I.

(For those who are interested: I'll add that someone who is very much like Lucien Bouchard appears in my novel Endangered Species, while Brian Mulroney and his friends are featured in my The Violets of Usambara.)
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