Until she edited the Best American Short Stories 2025, I'd never read anything by Celeste
Ng. My family, knowing how I love short
stories, sees that I get the year's edition each Christmas, and I read the volume
usually with delight. The formula is
simple: the series' editor picks 100 short stories from all those published in
dozens of literary magazines. Then a guest editor reads them all and chooses 20
that he or she thinks are the best. Occasionally
I find an editor's choices uninteresting, but rarely. And I really liked what Ng chose last
year. So, I decided to find out what she
has written herself.
Don't get me wrong:
I found myself reading her second novel (the
one I was able to get by Libby late at night) Little Fires Everywhere long after my usual bedtime because I was captivated by the story. But when I'd finished the book I was let down
because there were important parts of the story that just didn't hang
together.
The novel starts
with several little fires raging in a house and a mother and teenage daughter
leaving town. We find out at the end
just what has happened, and, while we are carefully prepared for the the ending, in the morning after a reading binge, the impossibility of situation hits one
between the eyes like the rising sun on a hangover headache.
To go into the
details about why Ng's story doesn't work, I'd give away too much. But I can say that what got me interested and
what kept me reading was the brilliant depiction of her charcters and the vivid
picture of life as an upper middle-class adolescent in the 1990s. Full points for that.
The story takes
place in the Shaker Heights suburb of Cleveland. It is a planned community, proud of its
history. Its citizens, according to Ng,
are convinced of their moral superiority in part because of their purported
"colour blindness." A lot of
this is pretense, Ng says, and she is cruelly funny when she points out the
contradictions of a community stalwart.
Why does Ng do
this? Because she wants to demolish
self-righteousness? Because she thinks
we all should take off into the sunset as do the mother and teenage daughter
who kick off the story? I was convinced
that was the case until I came upon an interview with her.
Here's what she said, "So many people try to do what they think is right. Even when they do
things that end up being terrible, it often comes out of a place with good
intentions. All the characters in Little
Fires Everywhere are doing
something they think is justified and moral. I wanted this book to be a space
for looking at people who seem like villains to us in order to understand how
they got to where they are. If we understand how they got to where they are,
then we have a better chance connecting with them in some way. There are very
few real villains in the world, just like I think there are very few heroes."
When I read that I
nodded my head: I agree that most people do want to do the right thing. That's not what I took away from this
book, though, so if that was Ng's intention she failed with me. But it's a
good read if you don't think too much about it.